LOGIC PRO SAMPLES HOW TO

Introduce 1 bar of the Main Bass sound with a filter automating up.

Remove Claps and Snares except the one right before the drop.

In this particular style, I’m transitioning from a musical idea to more of a bassline-driven idea, so what I do at this moment is crucial: Now that your musical idea has been introduced (and you’ve created interest in the intro), you can start to transition up to the drop by using a combination of techniques. I’ll start with the arp because it’s an easy win, and it stays pretty consistent.įrom the initial Serum preset, just load up the ‘PL Bit Fun’ preset from the EDM Starter Kit. We won’t layer these with the drop, as it will be for a different section. So let’s move our drop to bar 17, and load up 3 instances of Serum so we can create: In this case, I want to use some synths to create a euphoric intro and build. But the intros and breakdowns can feature anything from synths, to melodic samples, and to atmospheric effects. In dubstep, the drop tends to strip everything back to bass and drums. Step #5: Melodic Synths For The Intro Hook Now that our drop is taking shape, let’s turn to our other main elements. If you want to make things more complex, check out this video from Kermode. But for the sake of this build, we’ll keep things simple. Other dubstep tracks will incorporate even more bass sounds with lots of modulation. I’ll program in two notes just like this:Īs you can hear, the delayed effect gives it a cool metallic texture, making it fit right in with that other bass fill we just added. We’ll place this sound on the last 2 beats of every third bar. Let’s load up BS Solid Growl from the EDM Starter Kit:

This bass sound will provide a bit of surprise and excitement throughout the drop, giving listeners a reason to keep paying attention. As nice as the main bass is, on its own, it will get a little old.

Now we can flesh out our drop with a few more sounds. Step #4: Bass Variations & Other Drop Sounds Want to dive more into sound design? Check out our Breakthrough Sound Design course. So whatever you do here, don’t overprocess and ruin your sound.Īfter processing the bass, let’s blend the volume with our drums and move on to the next step. Post-processing, like any aspect of sound design, involves balancing experimentation with intentional decisions. So I wanted to bring it out more with the Width knob, as well as control my low-end by using Bass Mono switch.

Ableton Utility: Both Serum and Rift add a little stereo information to this bass sound.

Ableton Saturator: A little more simple distortion to warm up the sound a little more after the EQ boost.

Not super technical or overcomplicated, and sounds good.

Ableton Channel EQ: A simple EQ to boost the lows and highs of the sound to add more energy.

Since distortion can add unique characteristics to sounds, I tried a bunch of presets until I stumbled upon something I liked.

Minimal Audio Rift: This is a distortion plugin with lots of features.

Step #9: Mastering for Maximum Loudnessīefore we get into the steps, there are a few key things you need to know about dubstep.įirst, dubstep tends to sit around 140BPM-150BPM and features a half-time drum pattern.

Step #8: Cleaning Up – Mixing & Final Polishes.

Step #7: The Post-Drop, Second Drop & Outro.

Step #6: Arranging A Strong Intro, Build & Drop.

Step #5: Melodic Synths For The Intro Hook.

Step #4: Bass Variations & Other Drop Sounds.

Post-Processing – Bring The Sound To Life.

Step #2: Programming in Intricate Hats & Percussion.

LOGIC PRO SAMPLES HOW TO

Step #1: How To Make An OG Dubstep Drum Pattern.

Logic pro samples